Careful or the brain gets it

By Rob South

Canada’s brains are being held hostage, both figuratively and literally, according to the Canadian Alliance of Student Associations. Citing high tuition, massive student debt and crumbling infrastructure as the causes of a system that traps the nation’s young minds, CASA is touring a "hostage brain" across Canada to illustrate their point. On Wednesday, the brain… Continue reading Careful or the brain gets it

Kid A

By Natalie Sit

Thank you, Thom; thank you, Jonny; thank you, Ed, Colin and Phil. Mission successful. Thank you from the bottom of my heart for creating an album that will not be beaten to death by top 40 radio. Your world domination party will once again have to be postponed. Thank God. Way back in ’93 you… Continue reading Kid A

Kid A

By Natalie Sit

Something strange occurs on Kid A’s fourth track "How to Disappear Completely." Someone actually strums a guitar. While fretwork is kept to an economical minimum, the most arresting aspect is that it isn’t even missed. Is Radiohead, then, going soft? One listen to "The National Anthem" should put any such talk to rest; layers upon… Continue reading Kid A

Kid A

By Natalie Sit

To be honest, Kid A makes me feel stupid. I don’t understand where Radiohead started and where they’re headed. Kid A may be described as the band’s best but it’s not the best CD for beginners to begin their journey. From a non-fan’s perspective, Kid A is different from anything else out there. It’s a… Continue reading Kid A

God and MacDonald

By Bryanne Miller

"We’re all pretty jaded and bored. But sometimes we’re not," says Sean MacDonald. This is how the former Ids vocalist dove into his solo career with his religiously inspired album Parasites and Kings. MacDonald found enlightenment, and on this album he wants to share that which affected him. One might automatically assume MacDonald to be… Continue reading God and MacDonald

Molière takes on the sixties

Audiences are used to seeing Molière’s The Misanthrope presented like the renaissance-era play it is; however, Theatre Junction’s current production is set in the swinging ’60s. Sound a little far fetched? Not according to Daniel Arnold, who plays the roles of Basque and Dubois in this masterpiece by one of Shakespeare’s contemporaries. "You’re dealing with… Continue reading Molière takes on the sixties