The Undercurrents, Demo N

By Anonymous

Have you ever watched uncovered pasta cook in the microwave? The two minutes of dreary rotating occasionally interrupted by the comparatively enthralling explosion of a sauce bubble seems to be the major influence on The Undercurrents’ Demo N. The relatively bland mix of spacey vocals and classic sounding guitar riffs does have the occasional bright… Continue reading The Undercurrents, Demo N

Transplants

By Adam Goetz

In the spirit of side project experimentation and genre melding, the Transplants give you rap-punk. Hard to imagine, I know, but I can’t describe it any other way.The band was formed in 1999 when Tim Armstrong (who also co-founded Rancid) played a beat he made in his home studio for Rob Aston, who had never… Continue reading Transplants

Autofocus

By Nicole Kobie

Hollywood has produced a lot of strange stories, on-screen and off. Auto Focus is a bit of both. Telling the story of Hogan’s Heroes’ star Bob Crane’s rise to fame, descent to weirdness and eventual murder, Auto Focus is technically a good film. The dialogue is interesting, the acting is compelling, and the writing is… Continue reading Autofocus

Half Past Dead

By Nicole Kobie

Creativity is dead. In fact, it’s Half Past Dead–whatever that means. It’s easy to blame the behemoth Hollywood movie making machine for such recycled trash, but really, here the shame belongs solely to writer/director Don Michael Paul.Half Past Dead rips off nearly every movie ever made, bad or good. Steven Seagal already paired up with… Continue reading Half Past Dead

The Men of Constant Sorrow, The Essential

By Kevin Rothbauer

Tom Phillips and the Men of Constant Sorrow, Calgary’s most recognizable purveyors of traditional country music, are set to release their second album, The Essential. Local roots music lovers are likely already familiar with the band’s Hank Williams/Lefty Frizzell-style songs about beer, women, and their consequences. And while their new cd doesn’t quite capture the… Continue reading The Men of Constant Sorrow, The Essential

Turning the volume knob to 11

By James Keller

It’s a difficult situation. You’re a fairly seasoned Canadian band–part blues, part rock and a little pop-rock to push it through–and you’ve been asked to open for AC/DC. What’s more, you were asked only because Slash, who was originally on the bill, pulled out at the last minute. Aside from the fact that you’re playing… Continue reading Turning the volume knob to 11

Trying to look past the first Wave

By James Keller

“You’re probably going to hack us. I know just by the angle you took with your questions, but that’s cool.”This came casually from Paul Gigliotti, half of Canadian pop duo Wave, after our 45-minute interview, and he didn’t seem at all disconcerted. He knew I was from a university newspaper–hardly the target audience for the… Continue reading Trying to look past the first Wave