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Britpop meets redneck Alberta

By Jerome Mazandarani

Idlewild is a band that stands alone among their British contempories. While Blur and Oasis were battling it out for Britpop supremacy, Idlewild were touring every inch of the British Isles, playing their own unique brand of Minor-Threat-meets-Sonic-Youth influenced indie-rock. After already touring Australia and Asia, Idlewild released The Remote Part and are five weeks… Continue reading Britpop meets redneck Alberta

t.A.T.u., 200 Km/H in the Wrong Lane

By Jerome Mazandarani

Many people believe that with the demise of the Cold War, Russia, that once great super power, home of vodka and budget-priced nuclear weapons, could no longer bear any kind of threat to the Western World.Please think again.t.A.T.u.’s multi-million selling Euro-hit album, 200 Km/H in the Wrong Lane, has finally been unleashed upon an unsuspecting… Continue reading t.A.T.u., 200 Km/H in the Wrong Lane

Calla, Televise

By Jerome Mazandarani

Televise is the fourth album from New York City’s Calla–ten achingly beautiful songs dealing with the arrows and misfortunes of life in the Big Apple. It would be fair to say that Calla are currently relatively unknown, but this album will surely change that.Like Black Rebel Motorcycle Club, Calla represent an ever growing new wave… Continue reading Calla, Televise

The Notes From Underground

By Jerome Mazandarani

The Notes From Underground’s self-titled debut album is the result of two years of break-ups, shoestring demos, childbirth and plenty of melody. According to the band’s press release, the track “Mes Amis” is the sound of “Black Francis and Lou Reed anally raping each other (and neither of them minding).” If this is the case,… Continue reading The Notes From Underground